billy joel tickets september 27 – The 25 Million Dollar Man

In the realm of rock music, Joel’s stubbornness has drawn attention, too. Billy Joel, noted New York Yankees fan, in the 1970s. Billy Joel: But then there’s some actors who were originally musicians and they now just basically act.

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BILLY JOELSo, here I am — back again,” Billy Joel said early in his Saturday night set at Fenway Park, the piano-playing troubadour’s sixth show in as many years at the home of the Red Sox. I’m not saying, by the way, that contempt can’t make for great art. Dylan’s Positively 4th Street,” for example, is one of the most contemptuous songs ever written, but it redeems itself through the joyfulness of its black-humored eloquence and wit. And Springsteen lost something when he lost his contempt and became a love-for-the-common-people would-be Woody Guthrie.

Billy Joel: Well, I liked a lot of different kinds of music. I already came out of a classical background, and I really dug jazz when I was in my early teens: Dave Brubeck, Oscar Peterson, Art Tatum, Jimmy Smith, Bill Evans – I loved jazz. But I realized I ain’t gonna be one of those guys either.

Billy Joel: ‘She don’t love me like before.’ My own song. ‘She don’t love me anymore. I believed all the lies she told me. I, I…,’ you know, that kind of thing. I’m trying to sound like early Beatles, and it was fun. It was a lot of fun. But I was asked to join a band after The Beatles came out, and you’ve got to remember, November of ’63, John F. Kennedy is assassinated. The country goes into the dumps.

Joel: Yup, and I won that fight. He hit me in the nose and it was just sort of laying over on the side of my face. I thought it was just swollen. The doctor took it and moved it back and just put a bandage on it. It was broken, though, and never healed right. I’ve got two different-sized nostrils. Hey, I used to have a pug nose. I used to be cute, believe it or not.

I won’t endorse things commercially for that reason, either—except I endorse Baldwin pianos, because they’re good pianos. I also could see endorsing Harley motorcycles, because I love them. But I turn down incredible amounts of money to endorse all kinds of things. We sell our own T-shirt and stuff like that for the same reason. We don’t want people who trust me to get ripped off. We don’t sell T-shirts for the money; our merchandising company operates at a loss. If people are going to buy that stuff, at least we want them to be able to get good quality. We sell T-shirts, posters and we put out a newsletter. That’s it.

An Innocent Man restored Joel to his multi-platinum status, eventually selling over seven million copies and spawning the hit singles “Uptown Girl” (number three), “Tell Her About It” (number one), “An Innocent Man” (number ten), and “Keeping the Faith” (number 18). Several of the songs on the album were about model Christie Brinkley, who was engaged to Joel by the time the album was released. During 1983 and 1984, Joel became one of the first ’70s stars to embrace MTV and music videos, shooting a number of clips for the album that were aired frequently on the network. Brinkley and Joel were married in the spring of 1985.

I’m reluctant to pick on Billy Joel. He’s been subject to withering contempt from hipster types for so long that it no longer seems worth the time. Still, the mystery persists: How can he be so bad and yet so popular for so long? He’s still there. You can’t defend yourself with anti-B.J. shields around your brain. He still takes up the space, takes up A&R advances that would otherwise support a score of unrecognized but genuinely talented artists, singers, and songwriters, with his loathsomely insipid simulacrum of rock.

The Bridge was Joel’s last album to carry the Family Productions logo, after which he severed his ties with Artie Ripp. Joel has also stated in many interviews, most recently in a 2008 interview in Performing Songwriter magazine, that he does not think The Bridge is a good album.

The tape starts with Somach introducing Joel. The singer starts alone on his piano so he could play music that his band hadn’t rehearsed. Billy Joel: I was married at the time. My first. Ex One. Billy Joel rests on an airline flight between Austin and Dallas during a tour promoting his 52nd Street album in 1978.

A little over a decade ago I found myself in a hotel on the Lower East Side interviewing Mick Jones of The Clash, and I had a moment that bridged my childhood love of Joel’s music with everything that came after.

Billy Joel paid tribute to Aretha Franklin and was joined by Bryan Adams last night at Madison Square Garden in New York City. Alec Baldwin: To a degree you comfortable in front of a camera so long as you were playing.

In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant ; Troy would soon be replaced by Joel’s wife Elizabeth. 37 Streetlife Serenade contains references to suburbia and the inner city It is perhaps best known for ” The Entertainer “, a No. 34 hit in the U.S. Upset that “Piano Man” had been significantly cut for radio play, Joel wrote “The Entertainer” as a sarcastic response: “If you’re gonna have a hit, you gotta make it fit, so they cut it down to 3:05.” Although Streetlife Serenade is often considered by whom? one of Joel’s weaker albums (Joel dislikes it himself), it contains the notable songs “Los Angelenos” and ” Root Beer Rag “, an instrumental that was a staple of his live set in the 1970s.

Joel: Dylan was the only one who could get away with not having the music as complete as the lyrics. A lot of times, I just write words for the sound of them, to complement a particular key or a particular pattern of notes. Not to take anything away from the importance of lyrics, but the melody has to be complete first. It has to stand up alone. If my words don’t emotionally match the music, that’s because they are made to fit in afterward—and I guess that’s backward from classic songwriting. You’re supposed to write a poem or something and set it to music.


Alec Baldwin: Most don’t. Bowie didn’t do it, really. He tried. Sting didn’t do it. Jagger didn’t do it. The Beatles never did it, except that they played the Beatles. Billy Joel: The Entertainer.” Which was that…another folk song.

In 1989, on the heels of the successful single “We Didn’t Start the Fire,” Joel was presented with the Grammy Legend Award. His professional success continued unabated into the early 1990s, although his personal life became somewhat dramatic. After the release of River of Dreams (1994), Joel slowed his studio recordings but continued to tour alone and in combination with fellow artists such as Elton John. In 1999, the worldwide sales of his songs passed the 100 million mark. Also that year, Joel was inducted into the Rock and Roll Hall of Fame by his idol, Ray Charles. Several years later, in 2013, Joel received the Kennedy Center Honors.

I was pissed off. It’s bullshit. There’s no fine Nazis. My father’s generation fought a war to put an end to Nazism. When they see these guys with the swastika armband, I’m amazed they don’t run out on the street and smash them over the head with a baseball bat. So this president missed the boat. He had a great chance to say something meaningful and he blew it.

Billy Joel: There’s a song, actually, on the Piano Man album called The Ballad of Billy the Kid,” which, historically, is completely inaccurate. I just used Western-sounding things. He wasn’t from Wheeling, West Virginia. He was actually from Brooklyn. A boy with a six-gun in his hand, and then he robbed his way from Utah to Oklahoma – he never got out of New Mexico.

I said, How can I lose? I wrote the song! I know I wrote the song! My wife is a witness!” Your wife can’t testify.” But she was there! I went through all hell writing this damn thing!” Anyway, they told me I should settle out of court. I said, What! Why should I settle? I wrote the goddamn song!” But they advised me to settle, because life is not fair. So they settled for the minimum amount of money. After everything, the guy probably got $5000. It was a nuisance suit. But by the agreement, we were supposed to get a letter saying that I did not steal his song. I was totally against it, but I went along with the lawyers for once. So I’m supposed to have this letter. I’ve never seen this letter. And I hear that the guy does an act now and says, This is a song I wrote that Billy Joel stole.” So I’m going to kill this guy. He downs a glass of Scotch I want to break his legs with my own hands.

Disillusioned with trying to make it as a rock star, Joel moved to Los Angeles to fly under the radar for a while. In early 1972, he got a gig working as a lounge pianist under the pseudonym Bill Martin. His time playing at The Executive Room on Wilshire Boulevard would later be immortalized in his song “Piano Man,” which describes a no-name lounge’s down-and-out patrons.

In 1993, Joel was the second entertainer out of thirty persons to be inducted into the Madison Square Garden Walk of Fame 124 On September 20, 2004, Joel received a star on the Hollywood Walk of Fame , for his work in the music industry, located at 6233 Hollywood Boulevard 125 126 127 He was inducted into the Long Island Music Hall of Fame on October 15, 2006.

I read nearly every one of Stegemann’s posts for precisely the same reason I read nearly every single Joel hate peace that comes out every year even though Joel hasn’t put out an album of original rock songs since 1993’s River of Dreams (2003 saw the release of his first and only album full of classical compositions, Fantasies & Delusions), but unlike the few thousand words writers tend to dedicate to dismissing Joel and his entire body of work, Stegemann took an entire year to better understand an artist that I was raised on. It was a nice way of thinking, I thought: listen and try to understand instead of hating. The world could use more of that.

Nobody has ever wanted to fully admit to liking his music. Billy Joel was never truly in style, and that was something he relished in. He was never the sound du jour throughout a career that saw hard, soft, punk rock, new wave and hip-hop rise, and Joel never seemed to care. That’s one of his great qualities; the other is that he has written a ton of songs that will endure no matter what people want to say. Chuck Klosterman, in a 2002 profile for the New York Times wrote that Joel never seemed cool.” Over 15 years later, I wonder if he’d revise that statement. Just look at any photo of Joel in the late-70s into the 1980s, and you’ll see his various looks, whether it’s rocking classic Nike running sneakers or the black leather jacket, are suddenly seeming less dorky. His cool-dad style, like Paul Simon or characters from Nora Ephron’s rom-coms, are trendy now.

Alec Baldwin: WLIR, Denis McNamara. Remember him? I was a kid at home, I was smoking you-know-what, leaning out the window so my mom didn’t know, and on the radio we’d hear, ‘WLIR. This is Denis McNamara. Jackson Browne.’ I listened to this guy. He was my childhood, Denis McNamara.

Joel: They were homicidal maniacs, guys out of the county jail. One guy thought he was Kaiser Wilhelm. There were guys kicking heroin, kicking booze. People who really had problems. All the time, you were trying to avoid these murderous guys. If you looked at them wrong, they would run over and grab you and bang your head against the wall. I figured, OK, I’ll just be cool, but I’m going to get out of here as fast as I can.

Garth Brooks stole his best song from Billy Joel, let’s be honest. Everybody says that Garth Brooks, one of his best songs is ‘Shameless.’ You know who wrote that? That’s Billy Joel that wrote that song,” said Alan Wesielewski, the associate Notre Dame athletic communications director and a rabid Billy Joel fan.


In December 2013, Joel received The Kennedy Center Honors, one of the United States’ top cultural awards. He is also the recipient of six GRAMMY® Awards, including the prestigious Grammy Legend Award. Joel has been inducted into the Songwriter’s Hall of Fame and the Rock and Roll Hall of Fame and has received numerous industry awards including a TONY AWARD for “Movin’ Out,” a Broadway musical based on Joel’s music. For his accomplishments as a musician and as a humanitarian, Joel was honored as the 2002 MusiCares Person Of The Year by the MusiCares Foundation and the National Academy of Recording Arts & Sciences. Billy Joel: New York State of Mind, the documentary film, explores Joel’s unprecedented franchise at Madison Square Garden. Billy Joel: New York State of Mind won five New York Emmys at the 61st Annual NY Emmy Awards in April 2018.

Alec Baldwin: I don’t remember the rest of it. I remember he explained it to me once at a party in L.A. years ago, that he really meant ‘in the Garden of Eden,’ and then it became In-A-Gadda-Da-Vita.” He made a gibberish version of it.


No, it’s a fair question, and I still write music. I just don’t record it, and they’re not in song form. It’s another kind of music altogether. It’s purely for my own edification. I don’t feel compelled to record it. I don’t feel compelled to make myself be relevant. Like I said, I lived the rock & roll life, and I’m not writing that anymore.

By late 1972, an underground recording of Joel’s “Captain Jack” had been released on the East Coast and was garnering positive attention. Executives from Columbia Records sought out the lounge player and gave Joel a second chance to become a rock star.

Billy Joel was born on May 9, 1949 in the Bronx and shortly after moved to the Levittown section of Hicksville, Long Island, New York where he started playing piano at the age of 4. In 1964, inspired by the Beatles, he formed his first band “The Echoes”, which became “The Lost Souls” in 1965 and then “The Emerald Lords” in 1966. In 1967 he joined “The Hassles” and recorded two albums, which were not successful. Billy Joel and Jon Small, the drummer of The Hassles then formed the psychedelic duo “Attila” and released one album without success. In 1971 Billy Joel started his solo career with the album “Cold Spring Harbour” and finally achieved fame in 1973 with his song “Piano Man”.

Joel fired his longtime manager and former brother-in-law Frank Weber in August of 1989, after an audit revealed that there were major discrepancies in Weber ‘s accounting. Following Weber ‘s dismissal, Joel sued Weber for 90 million dollars, claiming fraud and breach of fiduciary duty. Immediately after filing suit, Joel was hospitalized with kidney stones. All of this turmoil didn’t prevent the release of his 12th studio album, Storm Front, in the fall of 1989. It was preceded by the single “We Didn’t Start the Fire,” whose lyrics were just a string of historical facts. The single became a huge hit, reaching number one and inspiring history students across America. Storm Front marked a significant change for Joel – he fired his band, keeping only Liberty DeVito, and ceased his relationship with producer Phil Ramone , hiring Mick Jones of Foreigner to produce the album. Storm Front was another hit for Joel, reaching number one in the U.S. and selling over three million albums.

I’m not saying, by the way, that contempt can’t make for great art. Dylan’s Positively 4th Street,” for example, is one of the most contemptuous songs ever written, but it redeems itself through the joyfulness of its black-humored eloquence and wit. And Springsteen lost something when he lost his contempt and became a love-for-the-common-people would-be Woody Guthrie.

Joel is one of the biggest concert draws in the world and continues this achievement with an impressive run of sold-out consecutive stadium shows and concert arenas. Having sold 150 million records over the past quarter century, earning 33 consecutive Top 40 hits, Billy Joel ranks as one of most popular recording artists and respected entertainers in history.

Joel: Yup, and I won that fight. He hit me in the nose and it was just sort of laying over on the side of my face. I thought it was just swollen. The doctor took it and moved it back and just put a bandage on it. It was broken, though, and never healed right. I’ve got two different-sized nostrils. Hey, I used to have a pug nose. I used to be cute, believe it or not.

Joel: No. I lean to the left, worked for George McGovern in ‘72 and voted for John Anderson in 1980. But I won’t mix music and politics. I think it’s an abuse of the privileged position that we’re in. Who the hell am I to inflict my politics on people just because I’m famous? My politics don’t mean a damn thing as far as most people are concerned. They’re just my politics. I don’t like seeing actors and performers do those kinds of things—benefits or endorsements. I believe strongly in the E.R.A. and I’ve been asked to do things for it, but I won’t. It’s a dangerous thing to do. What if I liked some terrible thing? I’m in a trusted position and I don’t want to abuse it.

2019 is a year full of milestones for Billy Joel, starting this week with his 70th birthday. February marked the 40th anniversary of his Album of the Year Grammy win for 52nd Street, while October will be 30 years since he released Storm Front and millions of people found themselves trying to remember all the words to We Didn’t Start the Fire.” But you might not realize those things, because for whatever reason, Billy Joel doesn’t get the respect he deserves.

Alec Baldwin: That’s your life. Billy Joel: Well, I joined a band when I was 14. I was asked to be in a band. Steve from Arnol, MdA beautiful meloday, as typical for a Billy Joel song. After singing ” Piano Man ” at the Madison Square Garden in New York City, (25 February 2006), also used as farewell comment to the audience after many shows.

Billy Joel: The whole Nylon Curtain album, which was 1982. The album before it, which was Glass Houses was just pure fun – playing with the band, got a good guitar player. We just had a blast making the record. The next album, I wanted to write my masterpiece, my Seargent Pepper, as it were. Instead of writing from the inside out, like starting with the seed of a song, we started with sounds and ideas and thoughts and studio techniques. We went from the outside in, so it was a whole different technique of creating recordings, and we really didn’t know what we had until almost the final mix. What is this thing? And we’re experimenting with stuff, and it took a year.

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