Also, Terminal 5 has particularly good influences. It was funny, at the time they were talking about Balaeric, and back then I didn’t know what that was, I didn’t understand what these guys were on about.
chet faker tour australia – The Rise And Rise Of Chet Faker, Beat Maker
Nick Murphy recently stopped by the 9:30 Club in support of his latest album, Run Fast Sleep Naked. The sound was huge with five members on stage all surrounded in gear so that just in case they wanted to have three shakers at once or if a song called for three guitars, they were ready. They had flute, they had sax, and they even had Nick Murphy playing the electric guitar with a violin bow for a few tracks.
I wasn’t really part of the scene. There was Galapagoose , Electric Sea Spider I don’t know those guys, I was just recording on my own. I was homies with the house scene, the underground house scene – like Lewie Day ( Tornado Wallace ) and Otologic , Francis Inferno , Mic Newman ( Fantastic Man ), Andy Hart – I knew all those dudes – Sleep D – and still do. My music doesn’t fit into that scene, but that’s the scene I came from. It obviously contributed to my music, but it didn’t shape it. We didn’t play the same gigs, I’m not running into them on the beaches of Ibiza.
Co-produced with Dave Harrington and mixed by Murphy and Phil Weinrobe, Run Fast Sleep Naked is the latest in a series of widely acclaimed releases including 2017’s Missing Link EP and Murphy’s 2014 full-length debut Built on Glass – a platinum-selling effort that won him seven ARIA Music Awards, including Best Male Artist and Producer of the Year. Although Murphy captured his vocal performances in spaces across the globe – including his grandmother’s living room, a studio in Tokyo, a vacation rental he shared with his family in New Zealand, and his own New York City apartment – the musical component to Run Fast Sleep Naked was mainly recorded at Figure 8 in Brooklyn. And in sculpting the album’s shapeshifting sound, Murphy enlisted over 20 session musicians and a full orchestra, embedding each song with unexpected textures and wildly varied tones.
It’s funny you say, that has been kind of a thing with touring this record. I suppose one of the major ideas about it is I’ve been kind of obsessed with making the stage a kind of shrine or place of warmth or comfort or peace. I don’t really know the words. Often stages can be quite harsh environments. There are all these hard edges and you have these instruments and bright lights. I’ve been adding sounds and materials around the stage. I bought some woolen knits. We’ve distressed them and hung them on the back of some instruments. I bought some Indian rugs and some warm totem materials and lots of bells and percussion. Lots of these small aesthetic items will be draped around the stage.
The energy was higher than you’d expect with the generally more subdued vibes of Nick Murphy’s music. I could not stop dancing the entire night. And neither could Murphy for that matter, working the stage from each and every side, moving however the tunes happened to move him. There is something about watching someone be themselves on stage in such an open manner that is so freeing and not only encourages an intimate and exciting environment, but also reminds you to take that energy with you into other parts of your life.
Tanto en sus inicios, cuando se hacía llamar Chet Faker, como en el resto de su carrera como Nick Murphy, este australiano siempre ha mantenido su carrera paralela como dj. Y no es un simple divertimento, sus cualidades como selector y sus escarceos como productor (en muchas ocasiones colaborando con gente como Flume Marcus Marr) le sitúan en primera fila del baile menos acomodado, el que se factura en sellos como Permanent Vacation Running Back, entre el deep house, el disco y el electro pop.
Despite his deep anguish, Chet remembers his true calling as Dream Dad and peers into your girl soul. His years of maturity and experience have given him the gift of parental intuition and wisdom. He wants to be a source of comfort. A mountain for your many rivulets. Release your problems,” he wails, thrice.
The intimacy was found in the heart and passion poured into every note. The vocals were especially moving, with their powerful, expressive qualities amplified live even more so than on the recorded versions. It was also in the bohemian stage design with flowers and plants and torn mesh covering the various keyboards, and the sparing use of the gigantic video screen covering the back wall of the music hall. When visuals were used it was only to project Nick Murphy and the band larger.
Several years after ditching the moniker that saw him rise to fame, Nick Murphy fka Chet Faker tells Marty Smiley why he had to burn his alter ego, how he got over on-stage anxiety attacks and what his parents think of his profession.
Released Friday 26 April via label Future Classic, the Dave Harrington co-produced record is Murphy’s first full length release since his widely praised 2014 debut Built on Glass (released as Chet Faker).
But not really, every now and then it’ll pop into my head. But I think it depends on which way you approach it – there’s not a sound I have to make, it’s more like what sound do I want to make. When I’m writing music, I won’t try and direct a song into a specific direction, I’ll let it go where it goes. If it’s good enough I’ll put it out, but if it doesn’t fit in with what I want, it’ll just sit on my computer and I’ll try and find another use for it. It’s kind of a numbers game, I’ll write like ten of them and then pick the one which is the closest to where I want to go.
During that time, the singer-songwriter, multi-instrumentalist and record producer immersed himself in intense self-examination, a process aided by his reading of Joseph Campbell’s theories of the artist’s shaman-like role in modern society.
Since carving a slipstream with “No Diggity”, Chet Faker – the solo project from Melbourne’s Nick Murphy – has flourished in a mercurial form as a songwriter, producer and performer. Initial shows saw Nick planted behind a piano, beanie on head, in recital mode. As his festival billing swelled in font sizes both at home in Australia and internationally, an indeterminable transformation began to take place. There is grand space between instrumental performer and festival producer, and Chet Faker floats within that space. The recital element remains, but Nick now at times resembles producers you might find at dance festivals, standing behind an array of gear, moving with the music as samples are triggered with wireless mic in hand. A freedom, of sorts.
Watching 20,000 people sing along to Chet Faker’s song Gold at the Coachella music festival in California makes it hard to believe that until recently, the Australian musician was relatively unknown in the US Since he released his album Built on Glass in 2014, Faker has steadily raised his profile in the US and now sells out major venues in Los Angeles and New York. Just one year after relocating to Brooklyn from his hometown of Melbourne, Faker (real name Nick Murphy) seems to have cracked the US market – and made it look easy. Ahead of his final show at Coachella this weekend, we talked to him about taking on the US, how American fans compare to Australians, and what he thinks about Starbucks’s flat white.
Nick: Absolutely, it does, i don’t like telling everyone what the song means to me, the power of music is what it means to someone else…umm but that’s an old song for me it reminds me of my ex girlfriend at a time when we lived together, that song is about the beginning of our relationship it reminds of going through a hard time and trying to work on stuff you know. Definitely evocative.
Nick Murphy, formerly known as Chet Faker, has announced that his new album, Run Fast Sleep Naked, is set to be released on April 26 via Downtown Records. Nick Murphy, formerly known as Chet Faker, still rocks his signature beard.
As Chet Faker, Murphy has performed sold out shows on five continents, and appeared at the likes of Coachella, Lollapalooza, Glastonbury, and Primavera. He performed on The Ellen DeGeneres Show, Boiler Room, and Jimmy Kimmel Live!, and Built on Glass won Murphy five ARIAs, including Best Male Artist and Producer of the Year. His tracks have been streamed in the tens of millions.
Definitely. Well, (laughs) I hope so. The title Thinking in Textures is actually a reference to the way I put it together. I wanted to have a release that was one form, and had a consistent flow and the theme I wanted to use to tie everything together is the ‘sonic textures’ – the sound, the actual texture of each song. So there might not be a theme for the lyrics, but the actual sounds of each track I’ve spent a lot of time working on.
All matter is created by dividing gravity into pairs,” said 20th century scientific mystic Walter Russell, whose idiosyncratic new world thought” writings and musically-informed schematic drawings were as fringe in their time as they are fascinating. Mullarney details the concept further: “‘Gravity Pairs’ is how Walter Russell describes the rhythmic order of the universe. I kept reading ‘pairs’ as both a noun and verb; simultaneously the elemental units of Russell‘s balanced universe and the process that brings us together.” This curiosity of natural phenomena shines through the album’s kaleidoscopic artwork — dichroic glass prisms photographed by the band themselves —and its lyrics, most directly through the narrative device of light.
It’s a question worth asking and no doubt a personal challenge the Melbourne-raised musician has had to overcome in making this week’s Feature Album , Run Fast Sleep Naked. Nick Murphy fka Chet Faker, at the Paradise, Friday, at 8 p.m. Tickets $31 at the door.
But now, five years after his debut release, Murphy is showing his true self with his sophomore album. His new music is different. Personal. More dialed back tonally, yet the strong songwriting still shines through.
Its success, creatively and commercially, proved he could. In early 2015 Murphy moved to New York and began stockpiling new ideas. By early 2016 he’d sketched out the beginnings of a second Chet Faker album, and flew to Rick Rubin’s Shangri La studios in Malibu to begin work. Then, a hitch.
Chet Faker is dead. Long live Nick Murphy. Australian pop phenomenon Chet Faker has reverted to his birth name of Nick Murphy. But why? We got the lowdown. The official music video for Gold, taken from Chet Faker’s debut album ‘Built On Glass’.
Returning home to New York in 2016, four years and several tours since the duo’s first release with Ghostly International, Thomas Mullarney III and Jacob Gossett knew the next direction would be different. Together they embarked on open-ended sessions, adopting a more linear style of songwriting compared to their previous loop and texture-driven method. They fundamentally constructed demos from piano chords and guitar phrases with vocal melodies, editing iterations almost ad infinitum, looking through each from a multitude of angles. Compositions expanded, while others pared back to where they began. Like the bending of light, this abstractive and patient process outlines a space and scale in which seemingly separate colors — minimalist ballads, elaborate pop spirituals, and driving dance sequences — can coexist at different speeds, fanning out with spectral cohesion. A prismatic collection Beacon call Gravity Pairs, which is set for a November 2nd release on Ghostly International.
Unapologetic perfectionists, Chet and Goldlink are used to a healthy musical isolation-a fact that makes collaboration, or friendship, come as a surprise. Then, a guilty grin spreads across Chet’s bearded face, as he dishes details of a woman he’d just met in Vancouver. Goldlink leans in, he’s heard this story before, and told it a few times too. We’re just bonding over that shared experience of women because you know- we all suffer,” Chet laughs. This moment- just two guys talking about a girl- cements their understanding and lays the foundation for their collaboration, a song about a girl.
Then, after much anticipation, out walked Nicky Murphy and his four band mates for a dynamic, eclectic, high energy performance of songs from Nick Murphy’s latest album Run Fast Sleep Naked, a few old favourites from his Chet Faker days, and even a track from his collaboration with Marcus Marr.
Shedding his pseudonym in 2017, Murphy released the acclaimed Missing Link EP and headlined Vivid Festival at the Sydney Opera House, and returned to stages at Coachella, Glastonbury, Primavera Sound and more.
The Missing Link EP is a snapshot of that wave in motion. Opener ‘Your Time,’ bears traces of Murphy’s previous incarnation, but the central motif of ‘Bye’ is voice-less distortion. ‘I Am Ready’ embraces opposing movements; ‘Forget About Me’ is a grand, escalating purge” unlike anything Murphy’s done. Closer, ‘Weak Education’ is a personal callback — a reminder to have fun. It’s the sound of Murphy exhaling.
It’s been a long hiatus since Chet Faker’s hit 2014 album Built on Glass reached number one on the ARIA charts, with three of the tracks reaching the top 10 in Triple J’s Hottest 100. Nick Murphy (FKA Chet Faker ) hits the road in earnest behind the April 26 release of his second album Run Fast Sleep Naked.
Run Fast Sleep Naked is certainly the product of a guy who’s challenged himself to hear, see, and experience more. An artist whose restless creativity spills out into extensive journals and sketches , not just music.
In bringing Run Fast Sleep Naked to life, Murphy rigorously questioned his own motivations for making music and his fundamental intentions as an artist. He discovered a new touchstone for his creative output: music that empowers and elevates each listener to a more exalted version of himself or herself, and ultimately undoes a certain emotional suppression imposed from the outside world.
Add Nick Murphy (Chet Faker) to your favourites to get the latest news and updates. Nick Murphy goes deep and details his rise from the Melbourne underground to the world stage. Murphy has also debuted a live video for ‘Sanity’ the soulful lead single from Run Fast Sleep Naked, which was written at Rick Rubin’s Shangri-La studio in Southern California.
I write and produce and record all of my own shit on my own, and I liked coming to that project as just a vocalist in a way. Just thinking about vocals and even kind of letting go a bit more, there are lots of things on that Lockjaw EP that I would change, but that’s what a collaboration is. The whole idea behind that was because I wanted to create a separate vision between my art, which is my bread and butter, and this opposite approach which was open arms and like, “let’s just make music and see what comes out”. Marcus Marr and I are actually working on another collaborative EP, which is coming out real soon.
The Melbourne-native singer, producer and multi-instrumentalist Nick Murphy was formerly known as Chet Faker. In 2012, Nick Murphy released his debut EP Thinking In Textures”, which was awarded the Best Independent Release by Rolling Stone.
What’s in a name change? Melbourne-born songwriter Nick Murphy made his breakthrough five years ago, under the name Chet Faker (a play on jazzman Chet Baker, whom he admires). He switched back to his real name in late 2016, and for him it was a musical moment of truth.
Nick: It’s usually just who I meet personally, people i came across in my life. I think with collabs they are something i have to have a personal connection with those people. Whether it be Harley (Flume) or Kay or Bonobo all these people I have met at festivals or shows and we just talk about music and stuff like that. I don’t really like working with strangers it has to be pretty personal, i like to get along with someone. Sometimes i get in a room and im like get me out of here, if im not feeling that connection.