danny brown dirty laundry producer – ‘U Know What I’m Sayin?’ By Danny Brown Review

Backed with adrenaline-surging EDM beats, darkly unsettling industrial rap beats or eerily atmospheric samples, Brown’s first-person anecdotes are always delivered with white-knuckle tension.

danny brown net worth – Tip Executive Produced LP ‘Uknowhatimsayin¿’

DANNY BROWNThat search for his next rhyme took the story a step back. Atrocity Exhibition, named after the 1980 Joy Division song, which itself was named after a J.G. Ballard book, captured the contradictions of his earlier success. He’d made it, but getting there had created another Danny Brown, one the public expected and encouraged to create chaos. What room was there for the Danny Brown who wants to be left alone? What if maintaining a persona literally killed the real person? The album ruminates masterfully on these tough questions while melding hip-hop with prog rock.

When Danny Brown announced in 2017 that an unnamed hip-hop legend would executive-produce his next album, the internet detonated into frenzied speculation. It could be anyone: DJ Premier or RZA, Alchemist or DJ Muggs, Juicy J or Mannie Fresh. After all, this was The Hybrid, the most innovative rap stylist of the last decade, a one-man bridge between aggressive experimental European dance music and nose-bone shattering street rap. A gap-toothed lothario, higher than Hunter S. Thompson but a serious music scholar equally fluent in David Bowie and boom-bap, esoteric British grime and Detroit techno, Southern trap and stand-up comedy.

Danny Brown raps like he’s from the future and burns through formulae like packets of cigs, so it’s only natural that at some point he would deliver his most shocking change of style yet: a laidback 90s jazz rap vibe that brings out the hip-hop classicist in his hyper-modern style. From my perspective it’s the smart move. It was getting hard not to feel that lyrics and production had become mismatched; Old’s poppier concerns played host to some of Danny’s darkest lyrics in a way that was sometimes brilliant and often confusing, whereas Atrocity Exhibition’s aural insanity came at the price of the rapper falling back on simplistic and uninventive rhymes. uknowhatimsayin¿ induces a sea change when The Hybrid and The Abstract connect, and it’s the most inspired odd couple pairing since Madlib and Freddie Gibbs.

BROWN: No, I think for the most – I just didn’t really know myself back then. I was probably rapping like everything else, you know? I didn’t really find my own sound at the time. Once I started doing it my way and figuring out who I was, then that’s when things started taking off of it.

After a trilogy of records that rank among the decade’s most critically acclaimed rap releases, Danny Brown has both nothing and everything to prove. Returning to the public eye with a Viceland show and his fifth studio album, the Q-Tip-produced ‘uknowhatimsayin?,’ he is presenting a new version of himself: Danny Brown, serious craftsman and burgeoning elder statesman of rap.

The uknowhatimsayin¿ project is the fifth release for Brown, following 2016’s amazing and frenzied Atrocity Exhibition. With the latest album, the guiding hand of the legendary Q-Tip of A Tribe Called Quest tempers some of Brown’s usual vocal ticks in favor of focused rhyming. In interviews, Brown, who has an outsized personality, likened the album to a stand-up comedy record and the first two singles Dirty Laundry” and Best Life” gave many a glimpse of what was to come.

I think once this album drops, people won’t be able to overlook me. I am working with a legend, so I’m on my way to becoming one too. Remember, I’ve been in the game for ten years, and I’m only getting better. I feel like I can be the illest 40-year-old-rapper on the planet. I want to be the number one at 40. People say rap is a young man’s game, but we’re now in a world where a 40-year-old can be the best. Being older doesn’t have that stigma anymore.

Avoiding attention is a lot easier now he’s rid of his signature look. He has cut his long, wiry, usually asymmetrical hair down to a fade and fixed the missing and chipped front teeth that had defined his smile since childhood. Brown used to flaunt his penchant for designers like Mark McNairy and Jeremy Scott, but his current wardrobe is inspired by People Just Do Nothing, a British mockumentary series he fell in love with on Netflix. The characters dress like soccer hooligans and UK garage music fans, and he’s been stoked on their uniform of windbreakers, sweat and track pants, and sneakers.


The only other guest on Fever is Juicy J on Simon Says,” where he also supplies a beat that sounds like a house party in the middle of a home invasion. Simon says bust it open like a freak,” Megan raps like a nursery rhyme, a fitting match for the originator of Slob On My Knob.” The song was the center of a minor controversy over the album release weekend when singer Wolf Tyla implied she had a writing credit and drew an indignant response from Megan. The facts became harder to parse from there. Maybe Tyla wrote the hook, or maybe Juicy did and asked her to record a reference track. (A just okay hook to go to bat for as an unknown ghostwriter, frankly.) In an era where the world’s biggest male stars snipe at each other about fragments of songs they’ve written for one another, this shouldn’t be a story, but a rising female rapper can’t allow any question of her bona fides.

Every Danny Brown album is a concept album about Danny Brown. Danny Brown the survivor ( XXX ). Danny Brown the confused and frustrated grown-up ( Old ). Danny Brown the haunted and tormented figure ( Atrocity Exhibition ). It always works because he holds nothing back, whether he’s delivering uncomfortably detailed depictions of drug use, affecting narrations of his childhood, or frankly sometimes gross references to his sex life. One thing that rarely changes in Brown’s ongoing personal narrative is the intensity with which it’s delivered. Backed with adrenaline-surging EDM beats, darkly unsettling industrial rap beats or eerily atmospheric samples, Brown’s first-person anecdotes are always delivered with white-knuckle tension.

While no song sounds the same, they all exude a similar meditative energy, a far cry from the manic bombast that, to this point, defined the rapper’s discography. There are no bangers on the album, but there aren’t any sleepers either; fans that just want a XXX 2 will likely be disappointed.

L’Impératrice’s debut album arrived in 2018all the pomp and circumstance of a coronation. Impératrice” is French for Empress”, and if their moniker is the most difficult thing to grasp for anglophones, then musically there’s nothing that doesn’t translate. The Parisians draw from a range of genres, from 70s space disco to downtempo 90s synth pop, taking in French film composers like François de Roubaix and Michel Legrand along the way. Albums that sold 500 copies in the 1970s are the records that interest us most,” they say. Matahari is a glittering, cinematic summation of six years hard work that draws on some of the finest found sounds and forgotten sonic fandangos hiding in crates across the land, all given L’Impératrice’s own inimitable 21st century twist.

In that breath, uknowhatimsaying? remains weird, as only Danny could be, because he is so forthright and direct. That pointedness brings us right into his future—the future we had hoped for on 30.” This is the future for which Danny Brown risked his life.

uknowhatimsayin¿ will be Brown’s first album since Atrocity Exhibition in 2016. He’s touring North America behind the project in October and November. Tickets go on sale tomorrow and can be purchased through the rapper’s website Ashnikko and Brown’s Bruiser Brigade crewmate ZelooperZ join as openers.

Just tryna keep my legacy, I’m legend in the end,” Danny adds, proving to us he firmly believes in his future. It’s not just a chant for a catchy hook (Never look back, I would never change up”); Danny Brown has stepped into his light.

Few correctly predicted that Brown’s sophomore album on the legendary U.K. imprint Warp, uknowhatimsayin¿ would be overseen by Q-Tip of A Tribe Called Quest. The reasons were obvious. This is the Abstract, the enigmatic genius behind some of the best music ever imagined, who pops up every half-a-dozen-years to drop a classic album, then recedes back to Mt. Olympus (or his New Jersey studio). The last full-length non-ATCQ or solo album that he lent his post-production mastery and Midas touch to was Mobb Deep’s The Infamous in 1995. But when you really break it down, there may not be a more natural pairing among hip-hop immortals than Q-Tip and Danny Brown.

We already knew his energy was infectious, but here he’s equally engaging as a more measured MC. Penultimate track ‘Shine’ is perhaps the high point on the album, the introspective track typifying Brown’s increasing maturity.

To many, Danny Brown is an acquired taste. On ‘uknowhatimsayin¿’, he subtly brings together various aspects of what makes the rapper peerless. With irresistible energy we were already aware of, Brown’s reflections on his past are equally as engaging, while the guest features he collaborates with help elevate the album. Where his previous projects felt sprawling, ‘uknowhatimsayin¿’ succeeds in feeling compact while delivering a powerful project that is expertly produced and concisely executed.

Meaning, thankfully, Danny did not OD. He did not have to weigh his life versus his success any longer. XXX became critically acclaimed. Danny Brown is a media darling. Across 30,” we get the sense Danny has not had a single moment of reprieve in his life. Again, this is why Change Up” and uknowhatimsayin? are achievements in his catalog: this is his reprieve.

Catfish and the Bottlemen are practically of no fixed abode” due to near constant touring and recording since 2014, when their platinum-certified debut album The Balcony surfaced. Preparing fans for a raft of new material to follow their 2016 gold-certified album The Ride, the band is led out of the studio and onto even bigger stages by venerated frontman and songwriter, Van McCann, along with Johnny Bond (lead guitar), Benji Blakeway (bass), and Bob Hall (drums).

Brown’s conviction was based on the testimony of the victim’s six-year-old son, who identified Danny” as one of two men who had been in the apartment some time that night. The boy stated that he awoke to a loud noise and saw Brown enter the building from a window. After seeing Brown in a heated argument with his mother, the boy ran up to his room and hid under his bed. He fell asleep after the perpetrator left and reported what he had seen to his neighbor the following morning.

This could be the reason why his new album, U Know What I’m Sayin? , is such a radical departure from the twitchy punk ethos of previous Danny Brown records. If Atrocity Exhibition was full of hyper-animated anthems that mixed rap with the gurning chaos of an industrial rave, then the more philosophical U Know What I’m Sayin? is designed to inspire some serious soul searching during a solitary listen. Brown is still having fun and embodying the spirit of a wise-cracking character from a Blaxploitation movie (on the inventive, Paul White-produced Belly of the Beast ”, he hilariously rhymes: I eat so much shrimp I got iodine poisoning” with Hoes on my dick because I look like Roy Orbison”), but the overall sonic mood is far more reflective, designed to show that there’s much more to the rapper than just being a menace.

Peers and critics have never stopped touting Brown’s work, and he’s encouraged when younger rappers cite him as an influence. Hanging out with budding Baltimore rapper and producer JPEGMAFIA has been a boon for his confidence, with the two trading compliments back and forth. Still, not everyone recognizes the doors Brown has opened.

BROWN: I would say, in some sense, I wouldn’t give it a ying without the yang. A lot of songs – you can probably listen to mine. It sounds like a party. But when you dig deep into the lyrics, you know, it’s really giving you the other side of it. So I don’t think I necessarily – I mean, I have my fun songs, too, but I also have the other side of the coin. So I think when people are just talking about it one way, then yeah. That’s – that can kind of be glamorizing it. But I think me – I’m more so bringing awareness to it.



Theme Song” is a diss track. Danny is demanding respect from a new class of rappers ripping off his outlandish style and getting rich, instead of losing a label deal like he did. If he has a specific rapper in mind, it’s too tricky to pin down, but pity anyone whose music is compared to disgraced pastor Bishop Eddie Long with a thong on.” A$AP Ferg bellows affirmations in the background, like a hypeman chiming in via FaceTime.

BROWN: I think it’s my first time I feel like I’m, like, talking to people, more so than just, like, rapping about what I’m doing or what’s going on. I’m like more so giving people advice and just – the up-and-comers, you know, people that been through what I’ve been through, stuff like that.

On Legacy! Legacy!, Woods took her ability to paint her rage with social conditions and complex emotions within intimate relationships to the next level, solidifying her as a modern day griot. Yes, this album on the surface is inspired by historical figures but, as promised, the songs aren’t simply biographies about their accomplishments. Woods studied what made each of these individuals human and transformed those insights into a cohesive oral history that connects the past to the present. It’s not an album to be digested in one sitting. She is inviting us to join her in remembering these legends more deeply beyond social media posts that dilute their legacies to soundbites, photos and quote posts on their birthdays. The eras from which these icons rose to prominence passed, but the lessons they offer are timeless. Count on Woods to keep them alive and make sure they’re told.

Danny Brown: I don’t like being put in a box (as a drug rapper), so I wanted to tone down the drug content and the sexual content. We weren’t gonna have the high pitched voice that’s all crazy either. This one was about stripping away everything that Danny Brown is and to see if I am still dope.

Danny Brown: I’d tell young Danny to not give a fuck. Stop caring so much! You only have so many fucks you can give. Give a shit about the stuff that matters in life and stop caring about the shit that’s out of your control. Like, you might dream about having your own TV show, but it is really going to happen one day. You’re going to shoot for the skies and reach the stars.

The RZA-esque beat on ‘Theme Song’, for example, allows the rapper to demonstrate just how accomplished an MC he is, with stripped-back production placing vocals front and centre. Danny Brown has been known to change his image many times throughout his career, becoming one of the most unique rappers of the 2010’s.

Our new desktop experience was built to be your music destination. Listen to official albums & more. In an interview with Dazed, Danny Brown reflects on his artistic growth since 2016’s Atrocity Exhibition.

He credits a conversation with Nas and his newfound partnership with Q-Tip for the new album following a bout with writer’s block after Atrocity Exhibition. I spoke with Danny Brown yesterday, and we started by talking about why he likes his latest album so much.

Drugs have affected my life since I was born, in terms of my family being addicted to them right up to my family selling them and me being able to take care of myself from drug money. Drugs will always be a theme of my albums, but on this one I am talking more about hustling than actually taking them. I want to show people you can make it out of being caught up in them and come out winning. I am an OG now. People call me Uncle Danny, so whenever I speak to someone new, I try to leave them with some kind of jewel of advice. I want to lead by example.

Danny Brown raps like he’s from the future and burns through formulae like packets of cigs, so it’s only natural that at some point he would deliver his most shocking change of style yet: a laidback 90s jazz rap vibe that brings out the hip-hop classicist in his hyper-modern style. From my perspective it’s the smart move. It was getting hard not to feel that lyrics and production had become mismatched; Old’s poppier concerns played host to some of Danny’s darkest lyrics in a way that was sometimes brilliant and often confusing, whereas Atrocity Exhibition’s aural insanity came at the price of the rapper falling back on simplistic and uninventive rhymes. uknowhatimsayin¿ induces a sea change when The Hybrid and The Abstract connect, and it’s the most inspired odd couple pairing since Madlib and Freddie Gibbs.

Danny Brown: Definitely. I see a lot people doing their best Danny Brown impression. It is cute. I am tight with it. I see a lot of people jumping on the wave. At the end of the day I am the big Homie OG so it is cute. In terms of being overlooked, my music is an acquired taste. Not everyone can eat caviar, it is expensive. The normies, the regular McDonald’s eating motherfuckers, they can’t even digest my shit. They can’t even afford it! You need a rich ear to get this. I can’t be mad at that. People need rich ears.

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