eric clapton layla – Tour

Interesting chord changes enliven the shuffling, melodic song, and the live band serves up a faithful reading. Both Festivals were filmed for DVDs and met similar acclaim and achieved multi-platinum status.

eric clapton layla live – Eric Clapton Gets By With A Little Help From Carlos Santana At Chase Center

ERIC CLAPTONAuctions of Clapton’s guitars held in 1999 and 2004 raised over $12 million for his Crossroads Centre The 2004 auction also included guitars owned by some of his famous friends. It took six months for Clapton to adjust to the idea of becoming a father. ‘It was very difficult to speak to him so I decided to disappear. I didn’t want anything from him so I decided to go back to my life. I didn’t even plan to call him when I got back to Italy.’ Lory was convinced that when Clapton’s hangers-on discovered the pregnancy they’d warn him that she would use it as a means of getting things from him.

As 1972 came to a close, Eric Clapton had been musically inactive for nearly two years. The guitarist, singer and songwriter had enjoyed a burst of activity in 1969, a period during which he played live and in the studio with Blind Faith, John Lennon (documented on Live Peace in Toronto 1969) and Delaney & Bonnie and Friends (showcased on the duo’s On Tour with Eric Clapton). Near the end of that year, he took part in a one-off celebrity concert in London with Lennon, George Harrison and others to benefit UNICEF.

Slowhand: The Life and Music of Eric Clapton” by Philip Norman reveals the complex character behind a living legend. Norman is perhaps one of rock music’s foremost biographers, and fans of Eric Clapton and rock history in general will not be disappointed in his latest work.

I first heard the sound of Eric Clapton’s guitar in a friend’s garage in 1969. It was the only place we were allowed to turn it up loud. Needless to say, I’ve been a fan ever since. I’ve tracked his career, read his autobiography, watched him play live and listened to his recordings it seems for all of my life.

Eric Clapton loves his Martin acoustic guitar strings so much that he wanted to endorse them. We are proud and honored that Martin Guitar makes the strings that Eric trusts to produce his legendary guitar sounds. What does Eric have to say about Martin Strings? “When I play acoustic guitar, whether in a studio or on stage, Martin Strings are my choice. They deliver the sound that I demand.” Music to our ears.

In the summer of 1970, Eric formed Derek and the Dominos with Jim Gordon, Carl Radle and Bobby Whitlock from Delaney & Bonnie’s band The Dominos would go on to record the seminal rock album, Layla and Other Assorted Love Songs. A concept album, its theme revolved around Clapton’s unrequited love for George Harrison’s wife, Patti. The band would drift apart following an American tour and a failed attempt at recording a second album.

In 1999 Clapton auctioned off some of his guitar collection to raise money for his Crossroads Centre he founded in Antigua in 1997. The Crossroads Centre is a treatment base for addictive disorders like drugs and alcohol. The total revenue raised by the auction at Christie’s was US $7,438,624.

Later (due to fellow Blind Faith bandmate Steve Winwood’s influence, and Clapton’s love of Buddy Guy’s sound), Clapton began using Fender Stratocasters. First was ” Brownie” used during the recording of Layla and Other Assorted Love Songs which in 1971 became the backup to the most famous of all Clapton’s guitars, ” Blackie” (a concoction of Clapton’s favorite parts from several other Strats), which he used until 1985 when it wore out.

Although Clapton has varied his musical style throughout his career, it has always remained grounded in the blues; despite this focus, he is credited as an innovator in a wide variety of genres. These include blues-rock (with John Mayall & the Bluesbreakers and The Yardbirds) and psychedelic rock (with Cream). Clapton’s chart success was not limited to the blues, with chart-toppers in Delta Blues (Me and Mr. Johnson), Adult contemporary (“Tears in Heaven”) and reggae (Bob Marley’s “I Shot the Sheriff”; he is often credited for bringing reggae and Bob Marley to the mainstream). Two of his most successful recordings were the hit love song “Layla”, which he played with the band Derek and the Dominos, and Robert Johnson’s “Crossroads”, which has been his staple song since his days with Cream.

By November 1968, Eric had grown tired of Cream and he was especially stung by criticism from Rolling Stone magazine who called him the master of the Cliché”. At Cream’s farewell concert at London’s Royal Albert Hall, the support band was Yes, Prog Rock was making a bid to be the new genre on the block.

Working at Criteria Studios in Miami with legendary Atlantic Records producer Tom Dowd, the band recorded a brilliant double-album which is now widely regarded as Clapton’s masterpiece. The two parts of “Layla” were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the elegiac piano part.

The set list as showcased on the 1995 remastered edition of Eric Clapton’s Rainbow Concert features songs from Derek & the Dominos, Blind Faith, Cream and Clapton’s self-titled 1970 solo album. The set also includes an early Traffic song, Pearly Queen” with a lead vocal by Winwood. Some of the tracks on the 1995 reissue are longer than their original vinyl-release counterparts; others are shorter. But unlike many one-off all-star concerts that would follow in the decades to come, Eric Clapton’s Rainbow Concert is largely free of the aimless jamming that so often characterizes such events.

The famously fabled “Devil’s Crossroads,” where blues icon Robert Johnson , as the story goes, once sold his soul to the devil in exchange for otherworldly guitar skills, lies in Clarksdale, Miss. It’s a nearly century-old tale that’s served as American music’s most mystical origin story, and it’s one that’s compelled millions of blues-lovers from across the globe to visit the now-suburban intersection of Highways 61 and 49.

I was 15 or 16 and he was 18 or 19, and he definitely looked after me,” Winwood recounts of his blossoming friendship with Clapton, at the top of the telecast. We played records and talked about music. From very early on, he took on a brotherly role.” As their friendship solidified, Clapton and Winwood – with drummer Ginger Baker and bassist Ric Grech – formed Blind Faith. They disbanded in 1969 after releasing only one chart-topping, self-titled album.

Watch guitar legends Eric Clapton and Carlos Santana team up at the Chase Center in San Francisco on Wednesday night. The DVD of Eric Clapton & Steve Winwood: Live From Madison Square Garden is distributed by Warner Strategic Marketing.

Clapton treated the women in his life as badly as he treated himself. In 1969, in love with the married and unavailable Pattie Boyd, he took solace with Alice Ormsby-Gore, a 17 year-old aristocrat, with whom he shared a heroin habit. They remained together for five years, even getting engaged, but eventually ended their relationship in 1975. She struggled with mental health and drug addiction her entire life, and died in poverty in 1995 at age 42, having taken six times the fatal dose of heroin.

Clapton continued to release albums sporadically and toured regularly, but much of his output from this period was deliberately low-key and failed to find the wide acceptance of his earlier work; highlights of the era include No Reason to Cry, whose collaborators included Bob Dylan and Robbie Robertson, and Slowhand, which featured ” Wonderful Tonight”, another song inspired by Patti Boyd-Harrison, and a second J.J. Cale cover, ” Cocaine”, which has since become a rock staple.

This turned out to be the first of many reunions and looks back for Clapton. In 2006, he elevated the profile of his latter-day idol J.J. Cale by recording an album-long duet, The Road to Escondido. The following year he released his autobiography – accompanied by a new career compilation called The Complete Clapton – which focused more on his trials with addiction and subsequent recovery than his musical career. In 2008, Clapton began playing regular shows with his old Blind Faith partner Steve Winwood, gigs that were captured on the 2009 double-live set Live from Madison Square Garden. Winwood also appeared on Clapton’s next studio album, 2010’s Clapton, which was a collaboration-heavy affair also featuring Cale, Sheryl Crow, Allen Toussaint, and Wynton Marsalis. In 2011, Clapton returned the favor to Marsalis by collaborating on the live concert album Play the Blues: Live from Jazz at Lincoln Center.

Two recent associates of Clapton also came to his aid for the Rainbow Concert: singer and multi-instrumentalist Steve Winwood and bassist Ric Grech had only recently concluded their time as band mates with Clapton in Blind Faith. And Winwood brought along some of his Traffic band mates, drummer-vocalist Jim Capaldi and Ghanian percussionist Rebop Kwaku Baah (the latter is credited on the original Rainbow Concert LP simply as Rebop”). Adding even more percussive foundation to the performances was Jimmy Karstein, late of Delaney & Bonnie and Friends as well as J.J. Cale’s 1972 album, Really.

After the band went pop with their third single, 1965’s For Your Love, Clapton jumped ship to work with John Mayall. Ditching his Fender Telecaster and Vox AC30 for a 1960 Gibson Les Paul and Marshall, his distorted tone on 1966’s Bluesbreakers With Eric Clapton ignited the British blues boom.

Clapton performed at The Band’s farewell show, which is chronicled in The Last Waltz, a film by Martin Scorsese. While performing the beginning of “Further On Up the Road,” his guitar strap came undone. To cover for him while he fixed it, Robbie Robertson improvised a guitar solo.

The persona Clapton established over the next decade was less that of guitar hero than arena rock star with a weakness for ballads. The follow-ups to 461 Ocean Boulevard, There’s One in Every Crowd (March 1975), the live E.C. Was Here (August 1975), and No Reason to Cry (August 1976), were less successful. But Slowhand (November 1977), which featured both the powerful “Cocaine” (written by J.J. Cale , who had also written “After Midnight”) and the hit singles “Lay Down Sally” and “Wonderful Tonight,” was a million-seller. Its follow-ups, Backless (November 1978), featuring the Top Ten hit “Promises,” the live Just One Night (April 1980), and Another Ticket (February 1981), featuring the Top Ten hit “I Can’t Stand It,” were all big sellers.

During his time with The Spencer Davis Group, Winwood first met and befriended Clapton, as the two performed during a one-off recording session as Powerhouse. Though nothing much came of those sessions, the two remained friends and stayed in contact. Soon after, Winwood met drummer Jim Capaldi, guitarist Dave Mason and fellow multi-instrumentalist Chris Wood, and, after an electrifying initial jam, decided to start a band. Traffic was born from those early collaborations, though its initial life would be short lived, with Winwood leaving the band just two short years later.

Before the formation of Cream in 1966, Clapton was all but unknown in the United States He left The Yardbirds before “For Your Love” hit the American Top 10. Welcome to Eric Clapton’s mailing list. From John Mayall & the Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie, and Derek and the Dominos, Clapton has had an unrivalled musical journey over 50 odd years.

Throughout Eric’s time with Blind Faith, he continued working sessions with, among others, Leon Russell (one of the Delaney and Bonnie circle). Amongst the songs he cut with Russell were ‘Sweet Home Chicago’ and Russell’s ‘Blues Power’. He also recorded with John Lennon as part of the Plastic Ono Band and with Dr. John, The Crickets, George Harrison and Jesse Ed Davis.

It seems significant that this album is the guitarist’s first studio effort since the 2007 publication of his best-selling autobiography, also titled Clapton. Following the introspection required by that project, the disc’s fourteen songs play like the musical memoir of an incredible journey. It’s telling, too, that Clapton says he recorded the album with a very specific audience in his mind.

I’ve always been a music fan but didn’t start going to live concerts until my 40s. I’ve listened to Eric Clapton, Joe Walsh, Vince Gill, and John Mayer for decades. Getting to see and hear them live and in person was such a high. As I’ve gotten older I’ve really gotten into the blue and seeing artists like Buddy Guy, Doyle Bramhall II, Tedeschi Trucks Band, and Gary Clark Jr was amazing. Discovering new artists like Tom Misch and Lianne La Havas. Every one an amazing guitar player. Day 2 of Eric Clapton’s Crossroads Guitar Festival, was for me a lifetime experience.

It was also at Kingston that Clapton discovered something that would have nearly as great an impact on his life as the guitar: booze. He recalls that the first time he got drunk, at the age of 16, he woke up alone in the woods, covered in vomit and without any money. “I couldn’t wait to do it all again,” Clapton remembers. Unsurprisingly, Clapton was expelled from school after his first year.

When he was seventeen, Clapton joined his first band, an early British R&B group, the Roosters, (whose other guitarist was Tom McGuinness from Manfred Mann and The Blues Band). In 1963 Clapton joined the Yardbirds and forged a distinctive style and rapidly became one of the most talked-about guitarist in the British music scene.

Clapton has also continued to record and tour on a regular basis. In 2004, he issued two albums of Robert Johnson songs, Me and Mr. Johnson and Sessions for Robert J. In 2012, he released Clapton, which featured a mix of cover songs and originals. The album was a hit in both the U.S. and the U.K. His latest album, Old Sock, was released in March 2013.

On Saturday night, the blues was celebrated while appreciating the numerous ways it nourished a number of branches of American roots music. As 7 p.m. neared, Grammy-winning delta blues maestro Keb’ Mo’ performed a few solo songs on one of the two smaller stages set on the front corners of the main stage. Although he performed for only a few minutes, the packed-out arena was hushed in extreme reverence.

By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world’s major rock stars due to his group affiliations – the Yardbirds, John Mayall’s Bluesbreakers, Cream, Blind Faith – all of which had demonstrated his claim to being the best rock guitarist of his generation. The fact that it took Clapton so long to go out on his own, however, was evidence of a degree of reticence unusual for someone of his stature. And his debut album, though it spawned the Top 40 hit “After Midnight,” was typical of his self-effacing approach: it was, in effect, an album by the group he had lately been featured in, Delaney & Bonnie & Friends.

Clapton had already befriended George Harrison, playing the solo on the Beatles ‘While My Guitar Gently Weeps’, shortly before forming Blind Faith in February 1969. Having met Delaney and Bonnie Bramlett while touring in America, Clapton decided a more organic approach to music was the way forward and he went on the road as part of Delaney and Bonnie & Friends, which also included Harrison and Dave Mason.

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