freddie gibbs bandana tracklist – For Freddie Gibbs, The Devil Is In The Details On ‘Bandana’

He said it’s difficult to even discuss the album’s early days, back before Gibbs’ trouble overseas threw a wrench in their plans, since everything is different now. This marks the first return to the Bay Area in over a year for Madlib.

freddie gibbs madlib – Skinny Suge (@FreddieGibbs) On Twitter

FREDDIE GIBBSThe producer and rapper prepare their first collaborative full-length since 2014’s Piñata. There was his debut production titled, Mambo Mouth, in which he played a total of seven different characters on the stage — compiled and composited from people in his past. They’re all deeply personal. Touching and hilarious, too: Leguizamo finds a way to talk about himself and the people in his life – sometimes channel those people – with a remarkably sensitive touch.

He’s equally at home rhyming over booming breakbeats or trap beats, and has collaborated with a diverse array of rappers and producers including Young Thug , Jeezy, DJ Drama , and Statik Selektah He made a name for himself with a series of self-released mixtapes throughout the 2000s and early 2010s. Following his first properly distributed release, the Str8 Killa EP (2010), he began releasing proper studio albums, including the well-received Madlib collaboration Piñata (2014), Shadow of a Doubt (2015), and You Only Live 2wice (2017). After he issued the commercial mixtape Freddie (2018), he reunited with Madlib for Bandana (2019).

Freddie Gibbs and Madlib have announced the release date for the long-awaited follow-up to their classic 2014 collaboration Piñata. Bandana is due out on June 28, and features contributions from Killer Mike, Pusha-T, Yasiin Bey (Mos Def), and Black Thought.

Freddie Gibbs cites 2pac as a big influence on his music. 30. Madlib had to walk into the studio one day, decided he was gonna fuck with Freddie and threw all these beat changes at him to see if the rapper could keep up.

Freddie Gibbs’ career has been less straightforward. Born in Gary, Indiana, he spent much of his teenage years and 20s selling crack cocaine. His major label debut was cancelled after a change of senior management, and he was shot at after a record store performance in Brooklyn in 2014. In 2016, he was briefly jailed in France, accused and soon acquitted of all sexual abuse charges relating to a case in Austria.

On Sunday, September 8, world-class beat-maker and hip-hop producer Madlib and rapper Freddie Gibbs hosted a sold out and sweaty night of bumping beats at 1015 Folsom in San Francisco. This marks the first return to the Bay Area in over a year for Madlib.

When Giannis” kicks in, Gibbs spits the song as he speeds around on a jet ski, though the ride eventually leads him to a buoy where he finds Aurelio waiting for him. The two exchange some curt words, with Gibbs seemingly convincing Aurelio that he’s out of the game for good. But back on shore, Aurelio decides not to take any chances and strangles the rapper with his belt and leaves him for the fish.

He has independently created a discography that illustrates his experiences as a struggling denizen of a blighted community. Despite the bleakness of the underlying subject matter, Gibbs continuously manages to dose each compilation with positivity and humor. In 2010, XXL Magazine caught wind of Freddie’s unique approach and nominated Gibbs to their Freshman Top 10. Subsequently, Freddie Gibbs’ previous mixtapes, which capture the forsaken instrumental aesthetic of 90’s boom-bap and juxtapose it with his distinctly Midwestern double-time flow, began to garner widespread critical acclaim and industry attention.

Music would become another escape hatch. Gibbs found out a couple of his friends had started making records, they even had a studio in town. So Freddie started hanging out there and pretty soon he wanted to be a part of it even though he wasn’t exactly sure what that would look like. Would he become a producer? A DJ? Maybe a manager? Being an MC literally never occurred to him.

The ever creative Madlib chucks in everything he can find to dazzle the listener. When this coheres – in the vicious swamp-beat of Massage Seats, for example – it’s sensational. Often his work sounds too dense to compete with mass-market trap, and struggles to support Gibbs’s gruff rhymes.

Every day is a humbling experience. A lot of times it might not come across because of the brash material in my music or my attitude, but I’m blessed…. I know who I am and what I do, and I gotta fight for mine. Ain’t nobody giving me nothing.

Most of Bandana focuses on the fantastic collaboration between Gibbs and Madlib. However, some tracks allow others to get a front-row seat to their musical magic. Run The Jewels ‘ Killer Mike and Pusha T both feature on Palmolive”, while Yasiin Bey and Black Thought make appearances on Education”. Fellow Made In America performer, AndersonPaak features on Giannis”, but sadly doesn’t pop up in its dramatic video Hopefully he will join the duo on stage at some point during the festival to make up for it.

6. Starting Freestyle Shit” with The surgeon general has determined that the sounds you are about to hear will always be devastating” is how every Freddie Gibbs song should start. Rapper Freddie Gibbs on Bandana, his new album with the legendary producer Madlib.

And living up to his lauded reputation, the cerebral producer gives a few of the tracks the value pack” treatment, stuffing two beats into a short stay, making for a fluid and exciting listening experience (the lean 46-minute run time also contributes to the easy digestion).


Praised for his technical proficiency as well as his provocative lyrics, rapper Freddie Gibbs has won over fans of gangsta rap as well as underground hip-hop. He’s equally at home rhyming over booming breakbeats or trap beats, and has collaborated with a diverse array of rappers and producers including Young Thug, Jeezy, DJ Drama, and Statik Selektah. He first made a name for himself with a series of self-released mixtapes throughout the 2000s and early 2010s. Following his first properly distributed release, 2010’s Str8 Killa EP, he began releasing proper studio albums, including 2014’s well-received Piñata (a collaboration with Madlib) and 2015’s Shadow of a Doubt. Following 2017 studio effort You Only Live 2wice, he issued a commercial mixtape titled Freddie in 2018.

But as strange as some may want it to be, the fact remains that Madlib x Gibbs share a special bond that stretches wider and deeper back in time than any of Madlib’s other collaborations. They first hooked up in mid 2011. That November, after six months of working in secret, Madlib introduced Gibbs during a show in San Francisco.

Madlib: Social media doesn’t appeal to me, at all. I ain’t into posting beats or showing off, none of that bullshit. I’m all about keeping it a mystery, basically. For me, it’s all about the music. I haven’t slept in two days, I’ve just been working. Making music is like therapy. I hope I take my last breath while making a beat. Yes sir, I’ll probably make a hit and then die! I cut off all my friends, threw my phone away, and that’s because I live strictly for the music.

Giannis” opens with a flashback scene in which Gibbs is forced to stand down while his partner cuts a less-than-ideal deal with a drug lord named Aurelio. Gibbs’ insubordinate behavior earns him a beatdown, but the rapper exacts his vengeance on his partner and takes over his business. When the video jumps to the present, Aurelio is trying to find out if Gibbs — who ostensibly retired to a zebra farm in the Crime Pays” clip — is getting back into the game and sets a time for them to meet.

Madlib lets me tell my life story in such a cinematic way. Whenever I work with him, I don’t hear the songs, I see them,” Gibbs told Dazed Digital in an interview that ran the day before the album’s release.

As personal as creating Bandana was for Gibbs, it’s been equally emotional for Lambo. Since the team started working on the record five years ago, Lambo has had two kids, one of whom was born just weeks before its release. He said it’s difficult to even discuss the album’s early days, back before Gibbs’ trouble overseas threw a wrench in their plans, since everything is different now.

Five years ago, esteemed gangsta rapper Freddie Gibbs made the simple transition to just esteemed rapper with the release of Piñata , his collaboration album alongside the reclusive production maestro Madlib.

As word of his skills spread to the coasts, he aligned himself with notable producers like The Alchemist, Red Spyda, Just Blaze, and Buckwild to create a discography that illustrates his experiences as a struggling denizen of a blighted community. In 2010, XXL Magazine caught wind of Freddie’s unique approach and nominated Gibbs to their Freshman Top 10. Subsequently, Freddie Gibbs’ previous mixtapes, which capture the forsaken instrumental aesthetic of 90’s boom-bap and juxtapose it with his distinctly Midwestern double-time flow, began to garner widespread critical acclaim and industry attention.

Dev’s been making music of his own for over ten years now, as well. First under the name Lightspeed Champion and then, starting in 2011 as Blood Orange. His sound is unique. Ethereal. Gritty. Melancholy. Every track seems to reinvent the wheel. Prince, Brian Eno, and Sade provide sonic inspiration. His breakthrough album, 2016’s Freetown Sound, made a bunch of year end lists. So did his followup – last year’s Negro Swan.


My relationship with my dad is cool, but it ain’t where it should be. I love him to death, but shit’s not where it should be. It’s crazy because my dad helped me a whole lot coming up. As far as being in the streets, he never shied away from me. It just felt like he wasn’t there in certain ways that I feel like he should have been. You need your parents as a grown man, too. Sometimes a grown man’s issue is a grown man’s issue, but you don’t know how to tackle them all the time…. With a lot of shit that I had to deal with, my dad probably wasn’t ready.


A follow-up to Piñata, Gibbs’ critically acclaimed 2014 venture with Madlib that paired the Midwestern rapper’s intricate, illustrative verses with the California-born producer’s jazzy, lo-fi beats , Bandana was teased for years before the artist started releasing information this February. The high-energy single Flat Tummy Tea,” which touches on everything from the artists’ political disillusionment to his former drug habits, was inconspicuously teased on Instagram and then posted on YouTube shortly after, just a few weeks before the album’s biting, bass drum-heavy signature track was released to the public. Fast forward to the middle of June and Gibbs has unveiled the Quasimoto-inspired cover art, sent Zebra mascots to Hollywood and Times Square to publicize the release and dropped videos for Crime Pays” and Giannis,” his first collaboration with AndersonPaak.

American rapper Freddie Gibbs and producer Madlib, known for his work with Talib Kweli, J Dilla and MF Doom, first collaborated on 2014’s acclaimed Piñata Gibbs, born and raised in Indiana, has some of the spiky, conversational flow of Jay-Z but lacks the New York rapper’s ability to bring images and ideas to life with words. On this sequel, Gibbs mostly sounds bored, aggressively bored or boringly aggressive.

FREDDIE GIBBS

When LA underground icon Madlib and no-nonsense Gary, Indiana rapper Freddie Gibbs collaborated on their 2014 full-length Piñata, it was among the most unexpected—and ultimately rewarding—albums of that year.

It wasn’t a strategic thing, it just made sense. There was no convincing. It was really like, Yo, let’s try this and see if it can make sense businesswise,” and we got it to a place where everybody was happy. I’ve been friends with Freddie and his manager, Lambo, for over a decade now and watched them build a really solid career for Freddie purely based off the quality of his music and his consistency. With Madlib, it was the same way. It was something that I wanted to have the opportunity to work on and help them get it to the world. It was a long time coming.

On ‘Bandana’, Gibbs hits another level as a lyricist. He still makes an art out of violent imagery (on the potent ‘Flat Tummy Tea’ he threatens to use a sword to knock white Jesus” off a horse), but now has developed much more of a philosophical edge, too. Gibbs’ bars, with which he triumphantly talks about going from food stamps to making millions, are inspiring and have a real resilience about them.

27. Gibbs casually starting Fake Names” off with rapping about having to murder either somebody who fucked his homeboy’s wife or said wife is Freddie Gibbs in a nutshell. Some of the most violent and disturbing content but delivered in such a way that you aren’t even aware of what was just said until you’re halfway through the next verse.

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Hailing from Gary, Indiana, a place whose murder and crime rates have ranked it several times at the top of the Most Dangerous Cities” list, Freddie Gibbs is the true definition of a street survivor. Raised on Gary’s east side, Gibbs lived the hard life firsthand in a run-down industrial community plagued with vice and ignored by the establishment. After playing at Ball State on a football scholarship, Gibbs was kicked out of college. Over the next few years he went through court-ordered boot camp, joined and got discharged from the military, and held down a series of 9 to 5 jobs without success. Feeling like the system had failed him, Gibbs turned to hustling; pimping and selling crack out of a local house. Inspired by rappers like UGK, The Geto Boys and 2Pac, Gibbs started rhyming about his life and the issues facing urban youth in Gary and the countless other impoverished cities just like it. Gangsta Gibbs is the first rapper signed to a major label from Gary.

Many rappers may secretly wish they could be as uninhibited as Freddie Gibbs, arguably Gary, Indiana’s greatest export since steel, Michael Jackson and actor Fred “The Hammer” Williamson. Gibbs, an authentic product of violent, drug-laden streets, has artfully and consistently told tales of ghetto life since his rap emergence in 2004, making no apologies for the person he is and the things he has done.

On paper, Freddie Gibbs, a straight-shooting street rapper, and Madlib, an eccentric tinkerer, are as mouth-watering a combo as licorice and pickle juice. But their collaborative 2014 album Piñata succeeded because the two are equally uncompromising: Madlib tailors beats to his eclectic ears alone, while Gibbs insists that he can rap over anything. Kindred spirits, the pair bonded through mutual gumption.

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