Eventually, Grammy-award winning producer Shane McAnally teamed up with them, and the result is a bold, fresh look at the seasons of relationships delivered by an artist with a clear point of view and a distinctive sound.
kelsea ballerini homecoming queen writer – Cali Wilson And EllieMae Battle To Kelsea Ballerini’s “Miss Me More”
I first meet Kelsea Ballerini for a photo shoot during a torrential downpour in New York City. If you’re wondering what the Dave Cobb-influenced mainstream country world might sound like after the success of Chris Stapleton, take a good sniff at My Church.” The arrangement and grainy production quality could very well be that of Lindi Ortega or Nikki Lane, but this is a major label artist looking to gain the attention of the fickle mainstream country music fan.
She said: “I was touring really heavily and on social media I was only really showing the really cool moments of my life – on stage or on a red carpet, all that kind of stuff. It’s exciting… it allows for us to have one country radio single and another single that we playlist differently and has different ears on it,” she said.
With her name splashed across every major media outlet, a co-host spot alongside Arsenio Hall on ABC’s summer replacement series Greatest Hits” and rave reviews from her stellar live shows flooding in, she’s also earned her first ACM Award for New Female Vocalist of the Year, fan-voted Radio Disney Music Award for The Freshest – Best New Artist (all genre), and the American Country Countdown Award (ACCA) for Breakthrough Female of the Year. Not to mention, becoming a welcomed familiar face on the iconic Grand Ole Opry stage.
Ballerini’s rise over the past three years, from unknown songwriter to a best new artist nominee at the 2017 Grammy Awards, is a fascinating study of what it takes for a young artist to break through in a genre that only has about five women on the Top 50 songs chart. The 24-year-old Knoxville native has been open about her insecurities, but also defiant (see above) as she’s doubled down on her pop-country aesthetic — one she’s admitted that Nashville gatekeepers don’t necessarily consider cool.” This evolution underscores the always-important lesson of what can happen if an artist doesn’t give into the pressure to change, just to please the industry.
This song is real. It is raw. In this moment, Kelsea Ballerini is all of us. We’ve all been there in this vulnerable, insecure moment. Her newest single Homecoming Queen, is off of her upcoming third album. That is set to come out sometime next spring, though she hasn’t confirmed a hard date.
I really wanted the underlying heart and message of both albums to be empowering. So even if you’re listening to one of the sadder, more vulnerable songs on the record, it’s written with this bit of positivity at the end. I just wanted people to listen to it and feel things, but also feel uplifted and empowered.
Ballerini shed tears and had to stop mid-song during the acoustic portion of her sold out show at the Knoxville Civic Coliseum, which is a part of her Miss Me More” arena tour. However, Ballerini’s already recorded 10 songs for the project, and reveals she’s really thought through her approach to the material.
The truth is we have no idea why Bill ‘Reilly was fired from the most prominent seat in cable news commentary. The allegations against him could all be false claims from money-grubbing hussies looking to take advantage of his celebrity. But in country music, the way women are looked upon, and the way they’re spoken to is spelled out right there in the songs.
Talking about her next album – which will feature her recent single ‘Homecoming Queen?’ – Keslea said: “I have to have intentional cut-offs for songwriting. If I keep writing, I will just redo the record 85 million times, and I’ll just never have a done album.
Ballerini and her songs channeled a range of emotions from sassy and defiant to reflective and lovestruck during her one and a half hour set, and she said she wanted her fans to feel it all. I’ve never been so proud to release anything and start a new chapter…here’s my heart in a song,” tweeted Ballerini on Friday.
In edging this line between country and pop, Ballerini has come up against the Taylor Swift comparison time and time again. In fact, as soon as I mention Swift’s name, the look on her face shows she knows exactly where I’m going. The two are good friends, and the 10-time Grammy winner played a “massive part” in Ballerini’s journey.
Ballerini met husband Morgan Evans while co-hosting the CMC Awards in Australia. While Evans hails from the land Down Under, he was living in Nashville and the pair soon began dating. Evans proposed on Christmas Day in 2016 and the couple tied the knot in Mexico in December 2017.
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On the latest episode of the Tone Countrycast , Ballerini revealed that a follow-up pop collaboration will appear on her third album. Rick Froio, Gordon Kerr, Kelsea Ballerini, Mike Wilson and Bill Macky pose with Ballerini’s plaque celebrating her five No. 1 songs in four years.
Four years later, when she was 19, Ballerini signed a publishing deal with Black River Publishing and a recording deal with Black River Entertainment later that same year. A debut single, “Love Me Like You Mean It,” appeared from the label in 2014; the song slowly became a big hit, reaching number five on the Billboard country singles charts and number one on its country airplay charts. A digital EP, simply titled Kelsea Ballerini, was released in November 2014, and as word about Ballerini spread, she was named one of 2014’s Next Women of Country by CMT and appeared on the Grand Ol’ Opry for the first time on February 13, 2015.
She was singing High School,” a personal track from her sophomore album, 2017’s Unapologetically,” where she reflects on her time attending Central High School in Knoxville and then leaving town at 15 to move to Nashville and pursue her music dreams.
And so continued on the unrelenting march of terrible songs in 2015. This year included some especially diabolical turns that puts the last 12 months in contention for the worst run for songs in country music history. Of course the usual suspects appear on the rap sheet like Luke Bryan, Thomas Rhett, and Sam Hunt. But 2015 ushered in the worst year for watching previously heralded artists turning their coats from blue to red.
Kelsea Nicole Ballerini (born September 12, 1993) is an American country music singer and songwriter. She released her first album The First Time in 2015, and her second album Unapologetically was released on November 3, 2017. She received a nomination for Best New Artist at the 2017 Grammy Awards. Ballerini’s two albums have accounted for seven charted songs on the Hot Country Songs and Country Airplay charts. She has four No. 1 singles on the latter, starting with her debut single “Love Me Like You Mean It”, which made her the first female artist to send a debut single to the top of that chart since Carrie Underwood in 2006. It was followed by “Dibs” and “Peter Pan”, whose peaks also made her the first female country artist to send her first three singles to the top of that chart since Wynonna Judd. Ballerini’s fourth No. 1 single is “Legends”.
Her last name naturally lends itself to dance references, so it’s no surprise that Ballerini was a dancer growing up. She started with ballet before expanding into modern, jazz, and hip-hop, which was her favorite. As a young teen, she was even on a competitive hip-hop team before swapping dance for songwriting at age 13.
Second time seeing Kelsea Ballerini and she gets better every time, she was fantastic. Had seats up front but the only problem was the speakers were in the front on the floor,very unpleasant, should of been mounted above the seating.
That was the Opry in a nutshell: the only place where you can sing a Trisha Yearwood song with world class musicians, with Carrie Underwood, where Keith Urban pops in,” says Ballerini, calling from a tour stop in Florida.
The single is the first taste of the star’s eagerly-anticipated third album, due early next year. And, just before she played BBC Radio 2’s Hyde Park festival , Ballerini talked about the making of the record, being inducted to the Grand Old Opry at the tender age of 25, and the time Beyoncé’s sister stole her luggage.
As I wrap up my interview with Ballerini and pack up to leave, I think about how many big things she’ll do with the future of country music, how grown-up Unapologetically is, and how strongly it positions her to take on this new era in her life, her career, and her relationship. I reach the door and turn to wave goodbye, and Ballerini’s standing at the counter. In some ways, she’s the ultimate millennial grown-up — already enjoying the results of her hard work and on the brink of even bigger wins, but also as normal as can be, asking the barista to sample more gelato. It’s like she’s any regular 20-something paying too much for coffee, yet she’s poised to change the course of an entire genre of music. And you get the sense that she will.
The music industry is male-dominated and country music is no exception ; name a genre and there will undoubtedly be unrecognized women who deserve better. Radio time for women on country music channels has decreased in recent years, down from an already low 13% in 2016 to about 10% this year. The 2018 Country Music Awards have not nominated any women in the Entertainer of the Year category and only one for New Artist of the Year. This boys club has to go, and Ballerini is ready to join us with a sledgehammer to dismantle it.
Sep 05, 2019 In a Q&A on Twitter earlier this week, Kelsea Ballerini revealed that her new single “homecoming queen?” is “the most emotional single she’s released,” and she wasn’t kidding. The the vulnerable song is the first taste of her upcoming third album, and also comes with a tear-jerking (literally) music video.
Country star Kelsea Ballerini made a stir with her 2015 debut album The First Time, nabbing a Best New Artist Grammy nomination in 2017 for her fresh take on America’s heartland genre. A few years older — and wiser — Ballerini is now back with her sophomore album Unapologetically, out Nov. 3, a collection that she says more closely tracks who she is as an artist and a young woman. A prime example: the nostalgic, bittersweet ballad High School,” premiering here in its acoustic version on TIME, with an official release Sept. 22. It’s one of the only songs she’s written entirely on her own, giving it, she says, a new level of personal resonance.
The first record, I was signed as a songwriter for a year, and that’s when I wrote most of the songs. All of a sudden I had a record deal and we had to make a record, so essentially we just gathered up my favorite demos and added a couple instruments. This album, Unapologetically, is the first intentional album I’ve ever made, from writing songs to pitching to concepting the album. All of that was thought through in a much more intense way. I’m so much more invested in this record.