You start to get a sense of Young Thug on those early tapes – his sing-song style, his cartoonish imagery (I’ll eat your ass up – then burp”). He also performed at Fool’s Gold Day Off performance in Miami alongside Trick Daddy and Travis Scott.
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Young Thug is the 102nd most popular rap & hiphop music artist and the 89th most famous Young Thug is described by fans as: Overplayed, Noisy, Funny and Gets the party going. But the most pleasurable part of So Much Fun is Young Thug’s general bizarreness. Don’t be surprised if, 100 years from now, we find out this music contained secret communiqués with far-off alien species. Some truly strange lines on the album discuss kidnapping kangaroos and taking Amoxicillin for recreational purposes, burning the ham while smoking dope, keeping grenades in the ceilings of his cars, paying hit men with noodles, making a woman nut in her pants (like in a movie, apparently) and having sex with grannies. These lines highlight Thugger’s position as a freewheeling surrealist that continues the Weird Atlanta tradition of artists like André 3000, Janelle Monáe and Cee Lo Green.
Eyeballing the throne of Hip hop royalty, Young Thug began to create a sound and style that would inevitably place him on top. Young Thug’s catchy verses and raw lyrical talent distinguished noise from art, clearly being the latter his creations are the best that remain of Southern hip hop. He is the embodiment of the evolution of Southern hip-hop. Young Thug is the representative for a generation that doesn’t see hip-hop as a hobby but a lifestyle. Keeping true to himself, his art, and his home Young Thug will stand alone as the one true savior of the Southern movement.
Thug is known for his eccentric and diverse, sing-song style. XXL called him a “rap weirdo” and “the standout guest appearance in Gucci Mane’s Trap God 2 and Waka Flocka Flame’s DuFlocka Rant 2”, commenting that “Thug’s charisma, unhinged flow and hooks make his music intriguing.” Pitchfork also called his style “extraordinarily distinctive” and wrote that “What Young Thug brings to the table, then, isn’t just a weird, experimental approach to rapping, but presence, persona, mystique, and, potentially, star power.” The Fader described his music, saying “In a typical Young Thug verse, he slurs, shouts, whines and sings, feverishly contorting his voice into a series of odd timbres like a beautifully played but broken wind instrument.” Thug usually uses Auto-Tune in his songs.
Charity: Musically, Tha Tour overwhelms me. I haven’t gone longer than a month since its unceremonious release five years ago without at least thinking about Tha Tour. It’s one of those albums in which musicians sound out all their ideas so profoundly, through sounds, without needing to tell you very much in explicit terms. It’s one of those albums where even beginning to explain what any given song is about” would reveal you to be an artless dweeb.
On July 15, 2015, the rapper was arrested by U.S. Marshals during a raid on his Atlanta-area home on a terrorist threats charge, after allegedly threatening to kill a mall security guard in Georgia a week earlier. Additionally, during the raid, guns and drugs were found, and he was hit with felony drug charges, for both cocaine and marijuana, and three counts of felony gun possession.
Of course, Tha Tour de force begins with Givenchy,” Young Thug’s orgasmic introduction to a whole new musical paradigm. I roll my eyes when considering how many top-tier pop musicians open their blockbuster studio albums with grandiose kayfabe statements, e.g., Drake opening Scorpion with a knock-off James Bond cinematic theme, Taylor Swift opening Lover with clickbait, etc. These statement pieces always suck. They’re too big, too ornate, too self-consciously important and yet, ultimately, too vapid. These songs all pale in comparison to Young Thug wailing, with rising volume and disintegrating grammar, about God knows what (my toes and my bros and my hoes,” for sure).
What happened next is complicated. The short version is that Lil Wayne’s relationship with Birdman deteriorated while Thug’s relationship with Birdman became stronger than ever. Thug still admired Wayne and wanted to name his mixtape Tha Carter V, in tribute to his hero’s most famous series of albums. Wayne wouldn’t allow it, so the name was changed to Barter 6 (because Bloods put the letter B” in front of words beginning with C). That seemed like the end of the relationship with his idol.
LAPD booking documents show that the rapper, whose real name is Jeffrey Lamar Williams, was arrested just before midnight and held until the early hours of the morning, with his bail listed at $35,000.
Young Thug defies categorization and is a true iconoclast. Emerging on Atlanta’s hip hop scene with his 2011 mixtape series, he launched into the mainstream with his knack for melodicism and unique vocal style. Thug’s highly anticipated new album So Much Fun is scheduled to release later this fall. He recently earned his highest chart placement on the Billboard Hot 100 with his latest single The London” ft. J. Cole & Travis Scott and produced by T-Minus. The London” also earned a spot on Spotify’s 2019 Summer Song Predictions list.
Ski Mask the Slump God had one of the weekend’s most energetic sets, climbing dangerously high up the side of the concert stage and directing the crowd’s mosh pits. But the theme of his performance was his repeated allusions to his friend, the late rapper XXXtentacion, whose publicly violent history and accusations of abuse dogged his skyrocketing career before he was murdered during a robbery in Miami last year. Others from the Soundcloud generation — Juice Wrld, Playboi Carti — also paid their respects in their sets. Ski Mask, who shared a rocky but close friendship with the late rapper, played multiple XXXtentacion songs for a rabidly hyped crowd. No matter where we at, we dedicate our set to our brother XXXtentaxion. I don’t give a f— if you didn’t like him,” Ski Mask told the crowd. The crowd, though, showed no signs of wavering in their support.
Last month, the Atlanta rapper Young Thug, who has been releasing mind-bending and style-bending music since 2011, had his first No. 1 album on the Billboard chart , So Much Fun.” It was a triumph for one of the most innovative — and most emulated — hip-hop artists of the 2010s.
Produced by Live Nation, the massive 31-city outing will kick off September 30 in Toronto, ON and make stops including Atlanta, Houston, Philadelphia, Chicago, Seattle and more before wrapping November 18 in Los Angeles, CA. The tour comes to Wells Fargo Arena in Des Moines on October 29. Tickets go on sale to the general public beginning this Friday, July 26 at noon at , 844-55-HYVEE, the Wells Fargo Arena Ticket Office, or any Des Moines Arena or Ames outlet locations.
Evidently, I was not the only one. Five years and 14 mixtapes later, Thug has become the kind of star one roots for, as though his music’s popularity were evidence of a strangeness that we all share. Described as oracle-like in his creative process, he spends hours on end layering grunts and shrieks into melodies and lyrics. Although he has been heralded for his androgynous style, the rapper and father of six has remained silent about his personal life. In a digital age defined by babble, he has created the blueprint for music that privileges a voice’s rhythm and emotion over words and explanations.
G-Eazy aside, the next generation of the Bay Area’s rappers shined. Kamaiyah was enthusiastically received in her hometown of Oakland, while Rolling Loud went wild for My Type,” the twerk-friendly summer hit from Saweetie, who grew up partly in the Bay Area. Despite rumors over the last year of a potential breakup, Vallejo’s SOBxRBE lit up the stage and appropriately closed out their set with Paramedic!,” the song from the Black Panther” soundtrack that pushed them from Bay Area favorite into hip hop’s mainstream. Each of the young acts offered a sense of the Bay Area sound, showcasing the continuing legacy of the Yay Area.
All of that might create the picture of a typical gangster-turned-rapper but, in fact, nothing about Thug (which is apparently what even his closest friends call him) is typical. He is one of the most interesting characters in hip-hop today, seemingly drunk on his own eccentricity. He doesn’t pretend to have left gang life behind – on his outro to a Dej Loaf track released last year he snarks, As a matter of fact, I’m one of the biggest Bloods in fucking America” – but these days he is probably better known for his gender-fluidity, recently photographed in a tutu, a lace floral Gucci top and a leopard-print dress. Rumours about his sexuality abound, but Thug says he is neither gay nor straight.
I’ve got two of them. They’re the worst thing in the world. It’s called the Alesis 3630. It cost $40, and it turns everything into a brick. It has this digital character. There’s no way to be subtle with it, but you could run chords and a kick drum into it and you’re like “woah, that’s almost a Daft Punk track.” You can get a $10,000 synthesizer, but the really interesting stuff is when a rap producer reinvents that same snare sample everyone has used, that free snare or free plugin. The tools of the people, the most accessible things, the pieces of shit that end up having their character. It’s a really fun thing.
Charity: His feud with Quan was the bigger mystery. I’ve always assumed Thug and Quan must have clashed while recording those songs; the vocals can sound so difficult, and I have to imagine Thug micromanaged Quan in many respects. I have to imagine they left everything on the field. Hence, I can’t quite imagine a proper sequel.
When he was still unsigned, he gave an interview to a small YouTube channel in which he said he believed he would one day sign to Cash Money and work with Lil Wayne. A few years later, both Lil Wayne and Gucci Mane, another of Thug’s heroes, tried to claim him as a protege, with Gucci signing him to his record label and Wayne acting as a mentor. But it was the support of Birdman, the owner of Cash Money and one of the most powerful people in hip-hop, that has led many to believe Thug is being anointed as the genre’s next huge star. When Birdman included Young Thug in his Rich Gang supergroup , it seemed as though he was creating a sequel to Lil Wayne’s Young Money label, which launched Nicki Minaj and Drake.
THUG: If you don’t like something, you kind of have to create your own look. When I didn’t like what I was listening to, I just had to create a whole different album, or a whole different mixtape. It’s still like that for me.
Young Thug’s song, “Picacho”, was noted as one of the standout tracks from the mixtape, although it was not released as a single, the song was included on a number of 2013 year-end lists, such as Rolling Stone ‘s 100 Best Songs of 2013, Pitchfork’s The Top 100 Tracks of 2013, and Spin ‘s 50 Best Songs of 2013.
It’s only recently that Thug has had the wealth and freedom to live a life of impetuosity. One of 11 children, he spent much of his adolescence in juvenile detention, after breaking his middle-school teacher’s arm. When he left the programme, he started recording, mostly in a wardrobe in a friend’s bedroom. In 2011, he began releasing his first mixtape series, I Came From Nothing. You start to get a sense of Young Thug on those early tapes – his sing-song style, his cartoonish imagery (I’ll eat your ass up – then burp”). But it’s a long way from the Thug of today.
Atlanta rapper Young Thug has released a statement disassociating himself from the alarming footage of his young daughter driving a car. Young Thug and Gunna a whole lot of fun with their The Tonight Show Starring Jimmy Fallon performance.
Charity: I’ve interviewed London before, and he told me he’s always on some low-country church shit. But, altogether, London, Thug, Quan, and Birdman do amount to some uncanny sounds on Tha Tour.
I’m not really interested, from a technical standpoint, in producing club music. I want to use all the tools but have it feel more like songs than tracks. A few years ago, I made this track called “Feel What” inspired by one of the first times my friend Terrence visited me in Montreal. The ecstacy was a little too strong, and there’s one moment in the night we had to go find a bench in the back room and just sit there for five minutes. He’s not throwing up; he doesn’t have to go, but he’s just got to sit and collect himself, take it all in. The euphoria was too much.
Thug recently told Big Boy’s Neighborhood that the two rappers are unlikely to ever collaborate again due to personal issues. It’s nothing about music. It’s 100 percent personal. This was my brother. Now it’s like you can probably never get the blessing of having me on a song and I can never get the blessing of having you on a song again,” he said.
Instead, the best you’re going to get is a quick glimpse of the mania as it happens. There is a sense in which Young Thug’s main line of business is to confound expectations around rap, sexuality, criminality and art. If that’s his business, then he has become an impresario, using his music and wealth to push the limits of what a rapper can be. After all: hits bring money, money bring power, power bring fame, fame change the game.
I feel nostalgic a lot for this time in your life when you’re good enough to make something that sounds like music, but you’re not really mature enough or deep in it to understand the rules. Things are wrong, but that’s what makes them interesting. The first batch of songs was, I like a Detroit techno synthesizers, and I kind of like the 909, so I’ll just move all the kicks around.” A friend of mine, Teki Latex from France, he had a first batch of my music and he’s like, “Your tracks are so cool, but they’re impossible to mix.” Stuff just didn’t work about them, but I really hold them dear to my heart.
Young Thug started to thrive on the scene with the release of a couple of mix tapes that were part of the I Came From Nothing” project, which captured the attention of many between 2011 and 2012 including that of the rapper Gucci Mane, who employed Young Thug, signing him to his 1017 Brick Squad Records. He released his first project under the label, entitled 1017 Thug”, which was hailed as having a distinctly original style. It made a few end of year lists of 2013 such as Rolling Stone who put it at number 10 Best Mixtapes of 2013, and then The Guardian put it in their top five of 2013. Complex put him in the 25 New Rappers to Watch Out For list. He managed to have his song Danny Glover” remixed by Waka Flocka Flame, Nicki Minaj, and more. He also performed at Fool’s Gold Day Off performance in Miami alongside Trick Daddy and Travis Scott.
The LP doesn’t constitute some great leap forward in Thugger’s art. It isn’t what Reasonable Doubt was for Jay-Z, what The College Dropout was for Kanye or what Thank Me Later was for Drake. Then again, it’s really not supposed to signify an ambitious masterwork or exist in the same kind of grand hip-hop symbolic zone that Jay, Kanye and Drake all pushed towards from the very beginning of their careers. Instead, So Much Fun represents what we might expect a self-titled album to represent: a distillation of Young Thug’s artistry up to this point in time.
I can’t even rap, this sh- keeps skipping words,” 21 Savage said, frustrated in the opening moments of his set. The audio cut in and out early in his set, deflating the energy from the massive crowd. After a technical-difficulties pause, the Atlanta rapper carried on with his performance, which was accompanied by a short documentary that reflected his tumultuous year, first detailing the story of his rise as a rapper, and then chronicling the U.K.-born but Atlanta-raised artist’s arrest by ICE earlier this year for overstaying his visa.
Young Thug’s career has followed a similar trajectory, but in more extreme form. He’s been steadily dropping mixtapes, many of them critically acclaimed, since 2011. He’s had four platinum singles as a lead artist, and, like Chance, had a guest spot on a chart-topping single. He’s also become one of hip-hop’s biggest fashion icons and appeared in campaigns for Adidas and Calvin Klein. But only now is he dropping his debut solo studio album, So Much Fun.
It’s 100 percent Young Thug. We need him. My favorite track has got to be “Hercules.” There’s so many deep cuts that probably rise to the top, but on first effect, I saw him live once, and when he went in “Hercules,” it was just a problem, it was crazy, so I’ll stick to that.
That is sort of a direct repudiation of Tha Tour and the process that spawned it, or at least trying to introduce a level of control into something that needs a certain amount of volatility to be the best version of itself. Tha Tour was flawed and perfect and singular, owing to an unrepeatable set of circumstances, and a rejection of better judgement, not unlike a gold terlet At least we can say we shined—really shined—for one summer.